So. All caveats and disclaimers apply. This is a piece I wrote a while ago but couldn’t quite post … it’s about the venn diagram of sex, dating, and Parkinson’s (and its medications) … hold very tight please …
Dating with dopamine
You know when she’s on the brink. There’s a short pause, then a nervous intake of breath. It’s not sharp, not this time: more like the slow traverse of an unshod foot over an uncertain pathway in the dark. The atmosphere thickens, resisting inhalation, but once it’s been sucked in, there it stays. Her breath held, your own bated in sympathy, it happens. Continue reading
‘Excuse me, but does anyone know whose helicopter is parked outside? It’s on the square and we were rather hoping to have a game of cricket today.’ These are words I never expected to deliver to a pub awash with Sunday lunchers until they were spilling out of my mouth. There are other words we never expect to say, such as ‘of course, I was plumb LBW’ or those fateful words ‘I think I’m done’. Continue reading
It’s difficult to know where to begin, and at such a time, we ought perhaps keep it simple. That was how I put it in 2013, in my book Slender Threads: a young person’s guide to Parkinson’s disease, and for all the words I’ve wrangled since, I struggle to see how I could have expressed my experience any better. Continue reading
One of the classic tests regarding self-awareness was developed in the 1970s by an American psychologist, and involves observing whether the subject (an animal, naturally) possesses the ability to see itself in a mirror and know at whom it looks: self-awareness allows for self-recognition. Whether it truly measures what it purports to is another matter entirely, and it obviously wouldn’t work on vampires, but it has a certain logical aura. Of course, what is reflected is not necessarily what we would see were we able to look at ourselves, but then, who sees the world if not through a lens? Continue reading
It’s an intriguing and at times nerve-wracking business being involved in a journalistic event such as the guardian’s disability diaries and the accompanying interview by Frances Ryan. One of the reasons for this is the fear of the comments section. It’s some irony that my contribution revolved around the articulation of how it feels to be fundamentally invisible in disability terms, and several comments seemed to have completely ignored both my presence and that of Craig: Continue reading
Every so often, we make a decision that reaches out and grabs all sorts of unexpected things by the ankles, and drags them kicking and screaming into our living room. Naturally, we have no idea what these things actually are until they recover from the shock of being accosted, shake their legs free and unfold to their full height. They look around the room for the offending ankle-grabber, but the decision is long gone. It just invited a whole tribe of beasties round for tea before scuttling off into the past. Via the back door. It’s only you left. And the beasties are big and wildly pissed off. Continue reading
Here’s a piece I wrote for All Out Cricket on the England Physical Disability Cricket team.
A funny thing happened on the way to town the other day. No-one batted an eyelid as I wandered through the packed streets of Brighton, the wee, bijou ones they call the Laines. This may seem a little self-regarding, but I usually have to deal with swathe of subtle and not-so-subtle staring. It’s not, sadly, due to my unfeasibly handsome visage, nor to my burgeoning fame. It’s all about the way that I walk. The looks start at my feet and end at my eyes, as if it is here the answer lies, as if the eyes will explain. As if the eyes will be cold, lifeless, the eyes of the undead. Continue reading
Here are two samples of my dramatic work, Bowling at the Death and Shakespeare Must Die!, written for the radio and stage respectively. You never know, you might find them amusing.
Bowling at the Death is a play for the radio rather than the stage, and it based around the great game of cricket. The protagonist is a batsman denied his first century by what he considered a wild miscarriage of justice at the hands of the umpire. The ‘outrageous’ LBW decision to which he he falls victim unleashes years of pent-up jealousy and fury, with murderous results.
Shakespeare Must Die! is a response to the slew of conspiracy theories surrounding the authorship of William Shakespeare’s plays. The most common idea is that the plays were truly written by Christopher Marlowe, who subsequently faked his own death in order to escape censure at the hands of the authorities for his many and various sins, and that Shakespeare was a cloak. The play takes as its premise that Shakespeare is in fact being employed by a shady cabal to write political works under the name Christopher Marlowe. An altercation in a public house leads to a fundamental shift in the playwright’s firmament.
They say that one ought not speak ill of the dead, but with some people, it truly is an unnecessary proscription. If Simon had any faults, it was that he was too generous, too open-hearted, too damn agreeable. These are faults to which we all might aspire.
Simon was a living, breathing model of how life ought to be lived. Mortuary assistant, pig farmer, shoe cleaner, B&B proprietor, writer: his career path sounds almost mundane until you realise he established pig farms in Vietnam for a charity, ran Streetshine, a charity for the homeless and built his own tourist eco-lodge in Abene, Senegal. In between-times, he wrote two books, Squirting Milk at Chameleons and Chasing Hornbills, and numerous pieces on Africa. He wasn’t one to sit on his haunches. Apart from when sitting on one’s haunches was exactly the thing to do. It’s no surprise he ended up in Africa. Continue reading