Release the inner slut

I know, I know. And apologies straight away to those who thought that this post was going to be about girls doing unmentionable things to root vegetables – we only deal in fruits here.

In my last post, I discussed a disagreement regarding the use of the word ‘slut’ in my blog on ‘Love and Other Drugs’. I defended it, primarily because it is, I believe, a word which needs recuperation – either that or universally equitable application.

My dictionary defines it this: a slovenly or promiscuous woman (unknown origin).

I suspect that it has a fair relationship to the word slattern. A word which really needs to be brought back into use, if only because it’s so poetic.

Actually, I’m currently torn with regards what I’m about to write, but until an equivalent noun exists to attach to a slovenly or promiscuous man, I shall press on.

Slut is a word applied pejoratively, to a woman, who ‘sleeps around’. The slovenly bit no longer obtains. The equivalent for the male is ‘stud’. This is rubbish, as it fails to take into account several factors.

The first is that sexual mores have changed, and, in western society at least (and outside those for whom religion provides a moral compass – and if you think that the Bible is on the money here, just read Genesis.38), women are increasingly taking command of their own sexuality and sexual appetites. This is as it should be.

The vilification of an individual who behaves in a way which suits them while failing to harm other people is insane. cf. Tony Blair, whose Biblical obsession, and obsession with his own righteousness, most certainly harmed others. A Frank Zappa once sang, ‘Hey, this is the twentieth century, whatever you can do to have a good time let’s get on with it so long as it doesn’t cause a murder’.

Stud is a word invariably applied with pride or envy – it conjures up images of proud stallions servicing mares to produce legions of thoroughbred racehorses – it’s not exactly pejorative. It is something to which all men must aspire. Darwin says so. (Look, I know that isn’t what Darwinianism is all about, but I’m making a point, ok?)

Now, I’m not going to get caught up in this, nor am I going to consider the manner in which Hollywood cannot bear a woman to have control over her own sexuality … others will do that better. What I am going to do is comment on a comment. My last blog was on this subject. It concerned the film ‘A Little Bit of Heaven’, in which the lead female is a character who enjoys sex for its own sake, gets ill, and as a result lives happily ever after with her doctor. Phew! Lucky her, contracting a terrible illness which showed her how shallow her life had been …

This post received one comment from ‘Ali’, which read as follows:

LOVE your blog and your writing style! Perhaps if all ‘sluts’ could suffer through a disease, the world would find that peace we’re looking for.

Two friends, both female, commented on this comment. They both remarked that it was scary that someone would write that sluts ought to be wiped out so that the world could be a better place. I responded that this was a strange way to read the comment.

Then I realised that it was perfectly logical, if you ignore the initial remark, as anyone who likes what I write may have noticed that I don’t hold with this sort of attitude. But the thing was, I knew something that they didn’t.

They had both read the name ‘Ali’, assumed that the poster was a muslim man, read the post, placed the post in the venn diagram, and the overlap read ‘sluts must die’. Look! Here it is!

Now, I happen to know that Ali is neither a muslim (actually, that’s supposition, but the evidence suggests that it’s reasonable), nor is she a he. Replace the ‘Muslim man’ with ’empowered woman’, and the overlap reads, ‘you say slut like it’s a bad thing’. See!

Ok. Before you bleat, I am not, repeat not, saying that all muslim men want any woman who enjoys sex to die. To read that into this post is wilfully to misrepresent both me and my writing. And is VERY, VERY, BAD. So don’t do it.

I am also not saying that the two commentators think this, either. What they did was take the information they had and come up with a conclusion. This conclusion may be debatable, it may be wrong, it may have been justifiable. I comment not upon that.

What this whole episode flags up is the manner in which contextual information is a) crucial and b) often retrospectively applied. That is, in trying to make sense of the post, more information was needed. The commentators (both highly intelligent, articulate women) read a veiled threat in the post, where I read a knowing smile.

Writing is an astonishingly powerful tool for the communication of information, but it can be a double-edged sword, especially when we write as we talk. As either Martin Clifford or George Villers wrote in the 1670s:

1 Writing is a dead kind of Representation, and therefore not proper to Express us while we are liuing. 2 Writing sticks in the paper and produces no effects outward, speech goes forth and makes impression.

It’s not just the contextualisation of ‘Ali’ that needed to be made, but the contextualisation of the comment itself, which, read independently of the spirit of the writer, the tone of voice, the look in the eye and the tilt of the head, can mean one thing or the other.

The irony, of course, is that you cannot possibly see the arch of my right eyebrow as I type this.

Love and other drugs – director’s cut

This, for those of you with obsessive tendencies, is my cut of the original. It is the pre-Prospect edition, and has several interesting differences, some of which ought to have been kept, some of which were rightly excised. It is a little ranty, but hey – what can I say? It serves its purpose.

Allow me to introduce myself. I am Anne Hathaway. Improbably hot, irresistible, obsessed with sex (and not because I don’t get any – trust me); far beyond loathe to get close to anyone, or to let them get close to me.

Wait, one more thing. Oh, that’s it, like her character, I have early onset PD. Not as early as hers but hey, give me a break here. Cards. Meet table. Ace up sleeve? I wish.

I haven’t seen the interviews where Hathaway bangs on about the film’s ‘message’ – had I done so, I might not have seen what I saw. As it was, I was expecting something very different. I could write about symptoms, the clumsy way they show the tremor (they show the clumsiness better), but anyone who knows anything about PD will tell you that both symptoms and progression are quite personal.

I walked into a lit cinema populated by coupled-up students and giggling, texting gaggles of girls. I felt astonishingly conspicuous. A 43-year-old man, on his own at romcom in the afternoon? I wanted to shout ‘I’m here for the drugs, not the love’, or maybe, ‘Me and Anne …’

I expected a crass, exploitative, romanticised version of the shit that hits on diagnosis and then dissemination. I was in danger of recreating the extended version of Freud’s kettle joke: ‘Fuck you and your kettle!’

Sitting alone in a cinema is a passable imitation of the mental weight of PD. I desire secrecy and revelation simultaneously. Isolation is insulation. Everyone looks, but no-one sees … it’s an odd, not out-of but hiding-inside body experience.

The film suffers from an inability to decide whether it’s a serious drama, a romcom, or a teen flick. Four Weddings and an American Love Story. It has many, many flaws, but whoever wrote the damn thing got some stuff spot on. For me.

Hathaway’s character is a slut, albeit one who paradoxically fucks only one man at a time, or so it appears. Her seduction line, apart from ‘shall we?’ two minutes after sitting down for coffee, is simple: ‘for you it’s not the sex, but an hour or two to relieve the pain of being you … that’s all I want too.’

Without putting too fine a point on it, I know how she feels. Add this desire to the side-effects of the dopamine agonists (in the rare category: compulsive gambling; compulsive eating; compulsive sexual behaviour. Let’s just say I’m still in great shape and my bank account is healthily in the black), and well …

Yes, the love story clunks, yes the sub-plot is crap, yes it drips sanctimony, at times it’s nauseating, it’s flawed, but get this – at points, I cried. Truly. Not for the fucking characters (get real) but for me.

This disease destroys the most important part of you, your sense of self, and your sense of self-worth. Now, nothing provides self-validation and insulation like like a few hours of frenetic sexual activity. Sex makes me feel that I can, while taking me apart from me. Being inside another body makes me forget mine, and its insufficiencies, inabilities, inadequacies. At some point, PD will probably render me impotent. Cheers.

Like Hathaway’s character, I have done everything I can to avoid getting attached, refused to call anyone my girlfriend, shrugged off the boyfriend tag, and sure as hell haven’t told anyone I love them (at least, not when it could have led to anything – oops). Why the fuck would anyone want me, who in ten years may well be a gurning, incontinent idiot? Children? Fuck off.

Yes, I’m ranting. I’m furious. Furious that while some of these points were dealt with quite beautifully, they were wrapped in a teen movie wrapped in a romcom. The rake (me) falls in love with a fragile, broken woman (er, also me) and heals her soul. Why so furious? Well, it’s ridiculous that they could sum up my life so well – PD has led me to live in a way that’s part farce, part black comedy, and yes, part Russian novel.

But there will be no happy ending. I am not getting better. I am getting worse, and will continue to do so.

Fuck, fuck, fuck.

That seems to be the most effective short-term therapy. Unless I can find someone who will do more than ‘pity fuck a sick boy’, without trying to own my disease, tell me about all those wonderful cures and therapies, and trying to heal my fucking soul. That I’ll let in.

 

 

 

Love and other drugs

So. Allow me to introduce myself. I am Anne Hathaway. Improbably hot, irresistible to the opposite sex, obsessed with sex (and not because I don’t get any – trust me on this one), and beyond loathe to get close to anyone, or to let them get close to me.

Wait, one more thing. Oh, that’s it, like her character in the film, I have early onset PD. Not as early as hers but hey, give me a break here. Cards. Meet table. Ace up sleeve? I wish.

Now, I haven’t seen the interviews where she (Anne, not the character) bangs on about ‘the message of the film’, and thank god for that. If I had, I might not have seen what I saw. As it was, I was expecting something very different. Yes, I could write about symptoms and all that, and the slightly clumsy way they show the tremor (though they show the clumsiness better albeit she does deteriorate very, very rapidly in one scene), but anyone who knows anything about the disease will tell you that the progression, and the symptom set, are quite personal.

I also don’t want to do a film review, muse about its inability to decide whether it’s a serious drama, a romcom or a teen flick – I do wonder whether this confusion is a strength rather than a weakness, anyway. I’m going to talk about me. Because that is a subject on which I may not be an expert, but I’m pretty sure I have more experience of than anyone else.

So, I’ll begin at the beginning – when I walked into the cinema.

I wrote this as I sat, waiting for the lights to go down:

  1. the looks when you, as an individual man, on his own, get on walking into a romcom showing. Note to self: wait until the lights are off next time! It really makes me want to say ‘I’m here for the drugs, not the love’, or maybe, ‘Me and Anne …’

The other thing is, I can’t think of any other example of HW dealing with parky’s. Is this because I’m not a film-goer, or because they don’t?

Now, what am I expecting? A crass, exploitative, romanticised version of shit that hits on diagnosis, and the same when she tells him. Actually, I’m in danger of recreating Freud’s kettle-joke, and pre-freaking.

It’s the desire for secrecy and for revelation simultaneously.

The couple behind me wave their feet on the seat backs – my peripheral vision would be going potty if I were back in the drug-induced confusion of year or so ago. I’m surrounded by couples and gaggles of single girls … most strange.

Isolation – insulation. The single cinematic experience mimics the exp. of having PD. Everyone looks but no-one sees … it’s an odd, not out of but hiding inside body experience.

And, of course, every damn trailer is about lurve – living happily ever after, so once more, alienation. I feel apart from these people … and not just because they’re all in their early 20s … now I wonder about self-definition? Do I find that I define myself in terms of PD as a defence mechanism?

Then the lights go down, the film begins, and the rest of my notes are scrawled in the dark, and so, ironically, look like the scrawl of a reasonably advanced PD sufferer.

So, where to start?

Well, the film does avoid diagnosis, and goes straight into the telling, and quickly establishes the Hathaway character as a slut, albeit one who apparently only fucks one man. They have coffee, she says let’s fuck, pretty much, and in the first of several interesting lines, says that it’s not the sex so much as a way of ‘spending an hour or two to relieve the pain of being me’. Let’s just say I know what she means. Damn, I’m just recounting the plot. Ok. Fuck this. These are the bits I noted down:

Both male and female characters are me.

There is lots of anti big pharma

Sales and seduction are intertwined.

It’s blasé on the story of diagnosis.

An hour or two to relieve the pain of being you … that’s all I want too.

Does self-pity work for you generally?

The tremor is dealt with clumsily – especially the part where she shakes while they fuck and he stills her hand. Oh, so fucking poignant. Not.

It’s not much of a life – she’s a very ill girl

suddenly, it’s about viagra

don’t use the word girlfriend

she has no real symptoms – 3 tremors, some stretching

suddenly she gets very bad indeed – she runs out of meds, blah-de-blah …

pity fuck a sick girl

the parallel PD conference where PD sufferers say witty things, and one man tells the lead male to get a healthy woman. ‘it isn’t a disease, it’s a russian novel’

he turns into a cure-obsessive

he takes her anger

it’s my fucking disease, hands off … (that was me)

Yes, the love story clunks, yes the sub-plot about his brother discovering empty sex is crap is crap, yes the parallel conference is all a bit ‘aren’t we ill people wonderful’, yes her joy at finding other sufferers was nauseating, yes it’s flawed, but get this – at points, I cried. Truly. Not for the fucking characters (get real) but for me.

So shit the bed, as they say (which I more than likely will later in my life. Deep joy).

A friend wrote this to me on hearing I was reviewing the film:

I’m looking forward to reading your review … I saw the actors interviewed .. and was singularly unimpressed by the female – early onset PD sufferer – lead’s comments about the meaning of the story … she almost made PD sound like a fashion accessory for goodness’ sake or certainly something to make her character more interesting (in her opinion)… PLEASE! Haven’t we had all of that kind of stuff 40 years ago in “Love Story”?

In many ways, perfectly on the money, but whoever wrote the damn thing got some stuff spot on.

The disease eats at your sense of self, and your sense of self-worth. This (oh, ok, and the dopamine agonists) leads to behaviour that simultaneously validates the self as it insulates you from having to confront it. And there’s nothing like frantic sexual activity to fulfil both criteria. Sex makes me feel that I can, while taking me apart from me. Being inside another body makes me forget mine, and its insufficiencies, inabilities, inadequacies. At some point, PD will probably render me impotent. That will suck.

When it comes to relationships, I have done everything I could to avoid getting attached, refused to call anyone my girlfriend, or let them call me their boyfriend, and sure as hell haven’t told anyone I love them (at least, when there was any chance of it leading to anything – one big category error). Why the fuck would anyone want me, potentially a gurning, incontinent idiot, and maybe in ten years. Children? Fuck off.

Yes, I’m ranting. I’m furious. Furious that while some of these points were dealt with quite beautifully, they were wrapped in the crap of some teen movie about handsome rake fucking everything that moves and trying to get his geek brother laid, while simultaneously falling in love with a fragile, broken woman, and thus healing her soul. Why so furious? Well, it’s so ridiculous that they should sum up my life so well – PD has led me to live in a way that’s part farce, part black comedy, and yes, part Russian novel.

But there will be no happy ending. I am not getting better. I am getting worse, and will continue to do so.

Fuck, fuck, fuck.

And to cap it all, I said I write a piece on this film for a magazine’s blog site. How the fuck am I going to do that?

Wine. Bring me wine.

 

truncated version: http://www.prospectmagazine.co.uk/2011/01/what-love-and-other-drugs-gets-right-parkinsons/