If it takes a historian to bring an exciting but little-known character back to life, the historical novelist can imagine them a new one. But how does this work, and what are the pitfalls? Continue reading
I recently finished a novel of the historical hue, called Killing Beauties. Set in 1655/6, slap bang in the middle of the interregnum, when Cromwell was Lord Protector of England (and brutaliser of Ireland, amongst other places) and Charles II was in exile, the book follows the adventures of two women, Susan Hyde and Diana Jennings, both of whom were she-intelligencers, or spies with broad portfolios.
It’s now live on Unbound, so go and pledge your support as a patron.